It’s 1968, and the whole world is watching. With the U.S. in social upheaval, Haskell WEXLER decided to make a film about what the hell was going on. With its mix of fictional storytelling and documentary technique, this depiction of the working world and romantic life of a television cameraman is a visceral cinematic snapshot of the era, climaxing with an extended sequence shot right in the middle of the riots surrounding the Democratic National Convention in Chicago.